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	<title>Comments on: The Lost-Wax Method</title>
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	<link>http://varnam.nationalinterest.in/2009/10/the-lost-wax-method/</link>
	<description>A Blog on Indian History</description>
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		<title>By: Hari</title>
		<link>http://varnam.nationalinterest.in/2009/10/the-lost-wax-method/comment-page-1/#comment-17364</link>
		<dc:creator>Hari</dc:creator>
		<pubDate>Thu, 08 Oct 2009 21:56:34 +0000</pubDate>
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		<description>Very thought provoking video. I was in Swamimalai and Kumbakonnam in July. While looking for a Nataraja bronze, I visited many artisan shops. But I had no idea that they might have been using the lost-wax method. 

The sensuousness of female representations in ancient Indian art has always stunned me. The narrow waist, the flared hips, and a certain idea of abstraction (and it comes out much better in dark colors). This is in stark contrast to the garish detail you see in today&#039;s temples. V. Ramachandran&#039;s insight about the artist consciously trying to jolt the aesthetic of the viewer is very interesting.</description>
		<content:encoded><![CDATA[<p>Very thought provoking video. I was in Swamimalai and Kumbakonnam in July. While looking for a Nataraja bronze, I visited many artisan shops. But I had no idea that they might have been using the lost-wax method. </p>
<p>The sensuousness of female representations in ancient Indian art has always stunned me. The narrow waist, the flared hips, and a certain idea of abstraction (and it comes out much better in dark colors). This is in stark contrast to the garish detail you see in today&#8217;s temples. V. Ramachandran&#8217;s insight about the artist consciously trying to jolt the aesthetic of the viewer is very interesting.</p>
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